Make music. We’ll handle the rest.

Paste a link. The show builds itself.

Your booker pastes a link. The show builds itself.

A booking starts its life as a link in a message. Artistflow opens that page, reads it, and writes the show underneath: the venue, the date, the set times. You check it once and it is filed, and the seven open tabs are gone.

A booking starts its life as a link from a promoter. Your booker pastes it, picks the artist, and the night files on the right roster the first time. No retyping a listing, and no second version of it in somebody’s inbox.

• Reads the listing. Venue, date and set times land as fields you can edit.
• Looks the room up. The venue is checked against a real place, and says so.
• The artist comes first. Nothing can file itself under the wrong name.
• One record after. Travel, advancing, the day-sheet and the invoice read it.

An empty field, and a link in a message. The link is typed in. The page is read: venue, date, set times. The room is checked against a real place. The show is filed, and everything after it reads this record.

Your other nights.

Five artists. One desk.

Every hold, every confirmation and every night that fell through, in one list you can read in ten seconds. A hold that became a booking stays the same record, so your year is one spine and not a folder of screenshots.

Five artists, one desk, one list. Pick a name and the whole surface takes that artist’s hue: their shows, their contacts, their money. The roster switcher is the only navigation your booker needs, and nobody has to remember which spreadsheet is the current one.

• One status per show. Prospect, hold, confirmed, completed, cancelled.
• Your year in order. Past and future on one spine, venue and fee on the row.
• Switch by name. One pick moves the whole desk to another artist, hue and all.
• No roster to run. A solo workspace holds one artist and skips the switcher entirely.
• Roles that fit. A booker edits shows and reads finance. Billing stays with you.

Your next five nights, on the phone you carry. The second night takes the row. A hold that became a booking is still the same record. The fourth night, and the year reads as one spine. New Year’s Eve is confirmed, and it is on the same list.

Kira is picked, and the whole desk is reading her. One pick, and Mateo’s hue is on every surface. Solvei next, and her shows come with her. Turmalin, and nothing had to be remembered. Nova East, and the switcher is the only navigation.

A page for bookers. A page for the room.

A page for every artist. One desk behind them.

A booker asks for an EPK and gets a folder. Artistflow gives them a page instead: the bio, the releases, the recent shows, the rider, and a booking form that writes into your shows. Light by day, stage at night, on one switch.

Your roster is a portfolio, not an attachment. Every artist gets a page, the agency gets one page in front of them, and all of it carries your branding. A booker lands on a name and asks through a form that reaches the right artist.

• The bio, as you keep it. One paragraph and the meta line, never typed twice.
• Releases. The catalogue you already have, with a place to listen.
• Upcoming shows. Straight off the record, so the page cannot go stale.
• Riders and photos. The press kit a booker actually asks for, on the page.
• A booking form on it. Requests arrive as shows, not as another email thread.
• White-label surfaces. The agency’s own name and colours on every public page.
• Day and night. One switch swaps every hue to its stage twin.

The page opens on the bio and the meta line. The releases, with a place to listen. The nights already on the record. The rider and the press photos, in one place. The booking form writes into your shows. One switch, and the page is stage.

The portfolio, and a name is picked off it. Their releases, under your header. Their nights, straight off the desk’s own record. Their rider and photos, ready to hand over. A request reaches the right artist. One switch, and the page is stage.